本文目录
- 值得背诵的英语材料有哪些推荐
- 你都有什么口红
- 有哪些值得推荐给大学生看的美剧
- 汹组什么词
- uproarious, noisy, boisterous,rowdy,riotous,tumultuous 的区别
- 塞缪尔 巴特勒
- 乱字能组几个词
值得背诵的英语材料有哪些推荐
1、首推《新概念英语》，但您说您已经背完了，我有点怀疑，因为新概念四册，除掉第一册（太简单），第二册有96篇课文，背完就不容易，而且要背得滚瓜烂熟，更不容易。第三册有60篇文章，第四册有48篇文章，相当难，要全部背完，谈何容易？！
2、您的英语课本。课本其实是最权威的！因为课本是专家团队的智慧结晶，而且在学生使用过程中通过老师、学生、以及家长的反馈进行及时的修订，所以课本是最好的背诵材料，经得过时间历史的检验，所以成为经典。
3、上海外语教育出版社出版过一部四册的合订本《英语背诵文选》，选的是名家名作，值得收藏和背诵。选编者为陈冠商。
4、如果还感兴趣的话，可以选英语文学史上的名家经典作家的诗歌、散文进行背诵，如，莎士比亚的、泰戈尔的诗作等等。
你都有什么口红
我的口红更新的比较快，时间长的就丢掉了，现在就剩下下面这些了
这些都是去年年底到今年买的。下面来看下颜色吧！
1、这个是蜜丝佛陀唇彩60号，闪耀紫红色，这款非常滋润，持久度也不错，缺点是味道太浓了，我一般都是叠加在其他口红上面用的，非常好看。
2、这个是伊蒂之屋的液体唇膏Rd301热恋绯红，这个是朋友送我的，是偏棕的红色，我只拿来涂咬唇，颜色太重而且是blingbling的，涂满唇有点可怕。
3、这个是悦诗风吟淇淋蜜柔唇膏6号布霖玫红，这个是有点偏紫的玫红，很滋润，很好上色，缺点是超级爱掉色，轻轻一擦就全掉了，虽然我觉得口红掉色不是特别大的问题，但是这个掉的也太夸张了，现在基本不用了。
4、这是悦诗风吟生机润唇膏3号玫瑰色，这个看起来颜色有点重，上嘴其实还好，滋润度和持久度比上面那款强太多了，这是我经常用的唇膏之一。
5、这是伊蒂之屋的口红，全称是什么不记得了，当时是被外表吸引了才买的，回来之后就用了一次，这个颜色真的是一生黑，上色超级不均匀，都飘在嘴唇上，这款我是绝对不会再用了。
6、兰芝的唇釉，味道非常好闻，淡淡的果香，这款滋润度一般，持久度还可以，但是有点爱起皮，综合来讲的话，我觉得质地配不上价格。
7、梦妆的蜡笔唇膏07号，梦妆的味道太香了，我不喜欢，这个颜色有点挑皮肤，有点显黑，很久不用了已经。
8、梦妆的蜡笔唇膏19号枣红色，当时是想买豆沙色的，结果被柜姐坑了，给我说这个就是，我当时也没看，就买回家了，用了才知道买错了，这个颜色其实也不难看，但是超级超级干，显色度也不是很好，要擦好几层才看得出来。
9、欧莱雅的唇膏，橘红色的，色号我忘记了，里面有一点点闪闪的，薄涂厚涂都挺好看的，推荐。
10、妙巴黎口红10号色，橘红色，这个颜色很好看，持久度也很好，缺点是有点显唇纹，唇部状态好的时候可以涂，我还挺喜欢的。
11、YSL方管211，这个很好看，滋润度和持久度都ok，薄涂厚涂都可以，关键是它不挑皮肤，擦了之后看起来会特别温柔，推荐。
12、YSL方管13号，这个虽然是半哑光的，但是涂上是有点水光唇的那种感觉，持久度很好，就是唇部状态不好的时候会显唇纹，相比之下，我更喜欢211。
13、最后一张，迪奥变色唇膏001，很滋润，打底和叠加都不错，这款是会无限回购的一款啦。
最后，没有什么事情是一只口红解决不了的，如果有，那就两只。
有哪些值得推荐给大学生看的美剧
大家好，我是娱乐君威，很高兴回答这个问题，我今年刚上大一，平时课余时间经常看剧，我也看过很多美剧，给你们推荐一下，我认为比较好看的几部吧。
1《绝望的主妇》【共八季】
是我看的第一部美剧，结局真的哭死我！因为很舍不得就这么看完了哈哈哈。
2《破产姐妹》【共六季】
只看完了四季，经常开车的剧，偏爱第二季。后面的还没看。
3《越狱》【共四季】
真的好看！！男主角米勒蛮帅的，后面就发福了哈哈哈哈哈哈！一二季很棒，后面倒没那么精彩。之前我以为我看完了的！！一直想不起结局才知道自己真的没看完...第四季还有七集没看。
4 《老友记》【共十季】
这部剧应该每个看美剧的人都会推荐吧哈哈哈。我是在高中看完的，这部剧还能练练听力（B站也有相应的口语表达），又搞笑，推荐喔！！
5 《老爸老妈浪漫史》【共九季】
这部我最爱！！！可能是看老友记比较久了，很多情节想不起来，觉得寻妈记会更搞笑一点！！真的好看死了！！
6《少年谢尔顿》《未完结》
生活大爆炸的衍生剧～这个我正在看，我们听力老师上课前和下课期间都会在电脑放，觉得很搞笑，所以我也回去看这部剧了，真的很好玩！！角色形象太丰满辽！少年谢尔顿超级可爱der
汹组什么词
汹涌 汹汹 汹惶 汹猛 汹溶 汹动 汹然 汹急 汹茫 汹赫 汹歘 汹溃
汹恶 汹怖 汹扰 汹惧 汹怒 汹呶汹怒 xiōngnù
猛烈的或不祥的自然现象
汹怒的暴风雪
2. 汹汹 xiōngxiōng
(1) ∶因争论而引起的喧嚷
而不汹汹。——宋· 王安石《答司马谏议书》
(2) ∶水腾涌的样子
(3) ∶骚乱不宁
天下汹汹,人怀危惧。——《三国演义》
(4) ∶形容声音喧闹;亦形容声势盛大或凶猛的样子
3. 汹涌 xiōngyǒng
水势翻腾上涌
海中波涛汹涌,小船儿上下颠簸
4. 汹涌澎湃 xiōngyǒng-péngpài
原义是指洪水猛然上涌的样子,现在则常用来形容人群的活动声势浩大,不可阻挡
沸手暴怒,汹涌澎湃。——汉· 司马相如《上林赋》
uproarious, noisy, boisterous,rowdy,riotous,tumultuous 的区别
uproarious：骚动的；喧嚣的；esp热闹的；有趣的
noisy：喧闹的；嘈杂的；esp显眼的；出众的
boisterous：（人）粗鲁的，爱闹的；（海、天气）狂暴的，猛烈的
rowdy：喧闹的；嘈杂的；混乱的；esp（n）吵嚷者
riotous：暴乱的；放纵的；esp极其丰富的；过多的
tumultuous：吵闹的；喧哗的；骚动的；混乱的
塞缪尔 巴特勒
Samuel Butler was the second child and first son of Thomas Butler (1806-86) and Fanny (neé Worsley, d.1873), born on 4 December 1835 at Langar Rectory in Nottinghamshire, where his father had his parish. He came from a line of clerics -- his grandfather, also called Samuel, was Bishop of Lichfield and Coventry -- and a career in the church looked a likely prospect for the young Samuel. Or so his father planned.
Butler went to Shrewsbury School, where his grandfather had been headmaster before he retired; then in 1854 he went up to St John’s College, Cambridge (his father’s alma mater), collecting a First in Classics in 1858. To the age of twenty-three his career was strikingly ordinary for a young man whose father had so carefully crafted his eldest son’s passage to the priesthood. Thomas Butler, of course, is reputedly the model for the vicious bully Theobald Pontifex in Butler’s masterwork The Way of All Flesh, and it would seem that Butler senior was not disinclined to put pressure, both physical and psychological, on his son as he matured. The two men were never close, although by the time Butler left Cambridge he was fairly sure in his own mind of his wish to take orders.
As preparation for ordination, Butler spent 1858 and 1859 living in a poor parish in London, as he has Ernest Pontifex do in his novel. It was there, working in a poor school, that he discovered for the first time that there was no detectable difference in the morals or behaviour between boys who had been baptised, and those who had not -- a scenario he recreates in his earlier satire The Fair Haven. This event planted the first doubts about his faith in him, and he innocently began to correspond with his father on the matter, seeking answers to his doubts. His father was furious that his son should even entertain doubt about faith, or his ’chosen’ career, but Samuel persisted, unconvinced, in the hope that his father could set his mind at peace. He failed. Butler, despite his financial dependence on his father, gave up his plans for ordination, and sought a new career.
He wanted to be a painter. His father would have none of it. After much acrimonious negotiation he decided to put as much distance between himself and his family as possible, by sheep-farming in New Zealand. It had the added advantage of perhaps offering him a degree of financial independence. He set sail on 30 September 1859, taking with him Gibbon’s Decline and Fall of the Roman Empire to read on the long journey.
He was a reasonably successful sheep farmer. He wrote while he was in New Zealand, a few articles for the Christchurch Press including ’Darwin among the Machines,’ the nucleus of his first satire Erewhon. He also re-read his Scripture, and applied the analytical method he found in Gibbon to the readings of the Resurrection for a pamphlet he would publish in 1866. He also wrote back to his father, who published his letters home in 1863 as A First Year at Canterbury Settlement. And he read, too. Most importantly, he read Darwin’s On the Origin of Species. He was an instant convert to the theory of evolution, and began a brief correspondence with the venerable old scientist. Butler returned to Britain in 1864, having doubled his father’s initial outlay (about £4,000) for the project.
He took rooms for himself at 15 Clifford’s Inn, London, where he would live until his death, in 1864. Still hankering after an artistic career, he took a series of courses in painting. At one of these, in 1867, he met Eliza Savage for the first time. Miss Savage was to be Butler’s closest confidante and critic until her death 1885, and they maintained a lively correspondence which he eventually published in her honour. Butler was evidently extremely fond of Miss Savage, and was devastated when she died unexpectedly, but the relationship has only fuelled speculation on her feelings for him, his for her, and on Butler’s sexuality itself. There is talk of a mistress, a young woman 17 years his junior called Lucie Dumas, but nothing written, and no record of any affection as there appeared to have been between Butler and Miss Savage. It is often assumed that she was in love with him and he failed to see it; others have drawn the conclusion that he was homosexual and that Lucie Dumas was Butler’s Ellen Turnan ... in other words, there might have been an affair, but no-one really knows.
Butler was a dreadful painter (his style would be called ’naïve’ today), but somehow he managed to have several paintings hung in the Royal Academy over the next few years. He still dallied with writing (and, as it happens, musical composition), and in 1872 produced the first book to make his name known, the extraordinary Swiftian satire Erewhon. It was a huge success, although it was the only one of Butler’s works to make him money until Erewhon Revisited was published in 1900. He followed it with The Fair Haven, a somewhat misjudged assault on the Four Gospels in the voice of a firm believer. The critics did not understand it, unsure whether it was satirical or not -- and Butler’s authorial success went into decline as quickly as it had risen.
Butler’s mother died in 1873, but although she is notionally the model for the horrible Christina Pontifex in The Way of All Flesh, very little is written about her influence on Butler throughout his whole life. And that’s why, since I’m only working from other sources and my own research, she doesn’t feature more significantly here. I’m sure she should, if you’ve got anything on her then let me know.
His New Zealand money was not lasting as he had hoped it would, on account of a number of bad investments he had made. New dependency on his father loomed. He began his novel, The Way of All Flesh, in 1874, and passed chapters to Miss Savage for approval -- she approved. Yet this was just an on-going project, and Butler was becoming more interested in other questions. During the 1860s everyone had been discussing ’The Species Question’, and various people had criticized Darwin and his theory. But not Butler. He set out to offer his own ideas about evolution which he believed would supplement Darwin’s work, in a book called Life and Habit. Butler contended that much of inheritance was based on habit making a feature ingrained, to the extent that it could pass between generations and reappear in the next -- or later. The idea of ’use-inheritance’ was part of Darwin’s original theory, where he could not account for variations by natural selection, and Butler felt that he was adding something important to Darwin.
He then discovered for the first time that an earlier scientist -- Lamarck -- had proposed such a theory of inheritance fifty years earlier. He read St.George Jackson Mivart’s book Genesis of Species, with its powerful critique of natural selection, and concluded that Darwin was a charlatan. He had taken all his good ideas from Lamarck, and added only natural selection himself -- which Butler described as ’a rope of sand’. Although Butler and Darwin’s son Frances were quite good friends, Butler precipitated a rather one-sided feud with Darwin over this, and over what he felt was a snub regarding a biography of Erasmus Darwin for which Charles wrote the introduction ... Life and Habit appeared in 1878, having converted from a companion piece to Darwin’s Origin into a fierce attack on Darwin and his theory.
Ultimately Butler objected to what he regarded as Darwin’s exclusion of Mind from the universe. He wanted to reinstate a model where the individual had some modicum of control over what form they took as a consequence of their actions. Over the next few years he continued writing books and letters to the Athenaeum about Darwin (Darwin wisely ignored them). He dedicated the next decade, as his finances tumbled around him, to philosophical works on evolution: Evolution, Old and New appeared in 1879, Unconscious Memory in 1880, and Luck, or Cunning? In 1887. All championed (his version of) Lamarck’s theory of evolution and put Darwin down. All were hopelessly unsuccessful. He continued writing The Way of All Flesh in the meantime, but when Miss Savage died in 1885 he was too depressed to continue without her comments, and he put it aside forever. It was to be edited and revised by his friend R.A. Streatfeild on his death in 1902.
His father’s death in 1886 resolved his financial problems for the last six years of his own life. He indulged himself, holidaying in Italy every summer and producing while he was there his works on the Italian landscape and art, as Alps and Sanctuaries and Ex Voto. The new life of leisure his father’s inheritance gave him allowed this kind of lifestyle which, when not spent abroad, was spent between his rooms at Clifford’s Inn and the British Museum Library, and in the evenings at his friend (and posthumous biographer) Henry Festing Jones, dallying in musical composition (Butler lacked any talent in this field as well).
He applied for a professorship in art at Cambridge in 1886, but was unsuccessful, and he continued his eclectic pieces of writing throughout the 1880s and 90s. He reconsidered his grandfather’s documents with a view to publishing them; but in the course of doing so he reversed his perception of the tyrannical old patriarch who was to be immortalized as George Pontifex, and wrote an affectionate memoir entitled The Life of Samuel Butler, Bishop of Lichfield and Coventry in 1896. He was always a great admirer of Homer (Butler’s heroes were few, and included Shakespeare and Handel. Almost everyone else he despised), and towards the end of his life became convinced that the writing was that of a woman. He wrote a popular translation of The Iliad in 1898, another of The Odyssey in 1900, and before that a book called The Authoress of the Odyssey in 1897. He wrote Shakespeare’s Sonnets Reconsidered in 1899, and the sequel to Erewhon, Erewhon Revisited, in 1901. This last volume finally turned a profit. After a brief spring holiday in 1902 he returned to Clifford’s Inn, and died shortly afterwards in hospital on 18 June. He was cremated at Woking.
Had it not been for the incomplete manuscript of The Way of All Flesh tucked away in a drawer in Clifford’s Inn, Butler would have remained an exceptionally minor figure of Victorian letters. But it was revised as instructed, and published in 1903 to tumultuous acclaim. It was inevitably followed by a reassessment of Butler’s life and works, and others of his books were suddenly reconsidered. However, it was the extracts from his notebooks, full of acerbic observation and irony, which excited attention to compare with The Way of All Flesh. Butler’s status as a late Victorian iconoclast of the first order was complete.
乱字能组几个词
乱兵
luànbīng
∶叛乱的士兵
∶溃散的军队
乱臣
luànchén
∶善于治理政务的大臣
予有乱臣十人。——《书·泰誓中》
∶制造祸乱的大臣
乱臣当道,天下何以能得安宁
乱臣贼子
luànchén-zéizǐ
古指不忠不孝,心怀异志的人。后指破坏社会秩序的人
孔子成《春秋》,而乱臣贼子惧。——《孟子·滕文公下》
乱打
luàndǎ
不管三七二十一地一顿猛击
乱点鸳鸯
luàndiǎn-yuānyāng
鸳鸯:常用以比喻夫妻。指几对夫妇互相错配。后指不顾具体情况而乱搭配
今日听在下说一桩意外婚姻的故事,唤作《乔太守乱点鸳鸯》。——明·冯梦龙《醒世恒言》
乱放
luànfàng
放东西没有秩序;乱七八糟地放
许多橡木树干满地乱放着
乱飞
luànfēi
∶在空中无秩序地飞过或顺风而行
子弹向四面八方乱飞
∶不定地从一地方移到另一地方
在院子里到处乱飞的小鸟
乱纷纷
luànfēnfēn
喧嚣吵闹
乱纷纷的人群
乱坟岗
luànféngǎng
布满散乱的坟墓的山岗
乱搞
luàngǎo
∶胡搞,乱来
∶随便发生性行为
乱哄哄
luànhōnghōng
形容声音吵闹杂乱
大厅里乱哄哄的
乱乎
luànhu
∶杂乱无章
这里太乱乎了,简直没法呆
又作“乱糊”
乱交
luànjiāo
胡乱的两性结合
乱砍
luànkǎn
∶用挥击的动作来切割,典型的是急速而有力地或者是凶猛地用刀刃造成长切口或裂缝
∶随意地砍
墙上的灰泥被乱砍下来
∶胡乱地砍伐
乱了套
luànletào
∶乱了次序,造成混乱
他头脑里轰轰响,乱了套
乱伦
luànlún
在关系相近的个体之间发生性交,尤指当他们的关系处于法律或风俗所禁止的通婚范围之内时
欲洁其身,而乱大伦。——《论语·微子》
是故众异不得相敝以乱其伦也。——《荀子·解蔽》
乱麻麻
luànmámá
混乱麻烦的样子
乱民
luànmín
旧指反叛当权者的百姓
乱蓬蓬
luànpēngpēng
形容散乱不齐
那个流浪儿的头发乱蓬蓬的
乱七八糟
luànqībāzāo
处于混乱状态;混杂的一堆,一团糟
清理客人们留下的乱七八糟的东西
乱人耳目
luànrén’ěrmù
指故意去迷惑人
我倒疑惑那是吴荪甫他们故意造的谣言,乱人耳目!——茅盾《子夜》
乱世
luànshì
骚乱、不太平的世道
苟全性命于乱世。——诸葛亮《出师表》
乱世英雄
《乱世佳人》
(《飘》的电影译名)
乱说
luànshuō
随意胡说
乱说这样粗俗的句子
乱谈
luàntán
前后不连贯地随便瞎谈;不停地谈琐碎的小事
乱弹琴
luàntánqín
胡闹或胡扯
这简直是乱弹琴
乱套
luàntào
乱了次序或秩序
要是各行其是,那就乱套了
乱腾
luànteng
混乱;不安静,没有秩序
乱腾腾
luàntēngtēng
急燥、心烦
心里乱腾腾的
乱葬岗子
luànzànggǎngzi
散乱地埋葬尸体的坟岗。也叫“乱坟岗”
乱糟糟
luànzāozāo
混乱成一团
帐篷和棚屋乱糟糟地布满了整个岩石地区
乱真
luànzhēn
仿造得很像,使人难辨真伪
以假乱真
乱子
luànzi
纠纷;祸事
出了乱子
